Abraham Aronovitch

Still Confused

Abraham Aronovitch, 2025. Acrylic on canvas, 130 × 97 cm, Behind the Obvious series.

Still Confused, 2025. A blue figure before a mirror saturated with intertwined coloured shapes.
Still Confused, 2025

When the mirror becomes a saturated field, identity no longer reflects itself; it searches for itself within the instability of the world.

Reading note

Still Confused belongs to the Behind the Obvious series, in which the bathroom mirror functions as a mental space rather than a simple reflective surface. The work explores confusion not as a transitional phase, but as a prolonged and unresolved condition. Within a saturated visual field, partially defined figures evolve amid a superimposition of reference points without hierarchy. The painting does not seek to clarify the scene, but to sustain a perceptual instability that reveals a contemporary difficulty in fixing a coherent reading of the self and the world.

Confronted with this dispositif, the figure attempts to grasp the nature of two presences occupying its mental field. These silhouettes, though tangible, remain without precise contours, held within a deliberately indeterminate zone. Their uncertain form does not suggest erasure, but suspension: the gaze has not yet found the necessary distance to situate them—neither spatially nor relationally.

The whole room: The Mirror

Room 1 · The Mirror, The Split : 9 paintings, in hanging order.

Still Confused, 2025 · 130 × 97 cm · Acrylic on canvas

Still Confused, 2025, in full screen.

Still Confused, 2025. A blue figure before a mirror saturated with intertwined coloured shapes.

Still Confused

2025
130 × 97 cm
Acrylic on canvas

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